The 1970s were a pivotal decade for cinema, and some of its greatest gems, like The Exorcist and Apocalypse Now, have only ...
Readers respond to a guest essay about the Paul Thomas Anderson movie “One Battle After Another” by the daughter of two Weatherman. Also: Will we be around to unearth a time capsule?
Liz Kocan has spent the last 20 years covering TV, entertainment and working behind the scenes in digital production. While at VH1.com, she won a Webby Award and was nominated for a Shorty Award as a ...
Dubai has welcomed residents from practically everywhere on Earth, and its openness stands in defiant contrast with Iran.
Watch With Us loves watching movies, but we can’t lie — it’s better when you don’t have to pay for them. Thankfully, there are lots of free streaming platforms that don’t require rental fees or a ...
"He looked at me, and he said, 'I was on the stage before you were born, son,'" the "Boston Legal" star tells EW. William Shatner complimented one of his heroes on the set of an Oscar-winning movie — ...
The projector whirred as attendees packed into a small West Campus bookstore, folding chairs filling the space while others sat on the floor between shelves. A beam of light cut through the dim room, ...
Julie Fedorchak is shown in this file photo speaking at the North Dakota Republican Party’s 2024 state convention in Fargo.
This month’s lineup includes Spike Lee’s “Crooklyn” and other Black films that are just as rich, sharp and teeming with life. By Brandon Yu In the early ’90s, there was a little joke that fluttered ...
I cannot even begin to tell you how many times I’ve taken out a pen and a piece of paper to keep track of all the streaming services I pay for each month. Admittedly, it’s getting out of hand, and I ...
Watch With Us loves watching movies, but we can't lie — it's better when you don't have to pay for them. Thankfully, there are lots of free streaming platforms that don't require rental fees or a ...
When movie stars are no longer people we aspire to look like, does it spell the end of Hollywood’s cultural power?
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